Huge increase in sign-ups

screenshotI’m kicking myself because I didn’t take a screenshot of this artist’s website before we started working together to boost his income using The Fan Formula.

He set himself a goal of boosting his income three-fold in three years. We’ve been working together for a year and he is on track. One of the key things we’ve done is to get his website creating more sign-ups. More sign-ups = more income.

This screenshot shows what happened after he made a simple change to his website.

The artist’s name is Chris Casello. He is the best guitarist I have ever seen.

Check out his new and improved website

www.chriscasello.com

 

Strategies for increasing your income


Having a sort out over the Christmas break, I came across some notes from a Music Week conference session with Terry McBride, CEO and one of three founders of the Nettwork Music Group. McBride was talking about ‘Millennials’, a new generation of music fan who have the power to ‘pull’ music. Songs ‘belong’ to them as an emotional memory that they want to share. Consumption is ‘get it when you want it’. Music used to have a scarcity value. Now digital is always available.  Fans do not need to own music. What they value is access.

McBride spoke a lot about strategies to maximise income. His conclusion – create a continuous supply of music to buy, not a piecemeal one album a year, but a track every month. That’s 12 tracks a year with a constant presence rather than one album a year with a short blip then forgotten presence. Versions of songs can generate multiple sales to different fans, including multi-lingual releases (Averil Lavrine: 7.5m downloads of one song, 200 million hits on Youtube). Releasing stems may work for fans who are musical. Use releases to grow your fan base.

But where does scarcity come in? The value is in creating scarcity of access to the artist from loyal super-fan gig tickets to special one off concerts and merchandise and access to ‘backroom’ activities like rehearsals, and songwriting sessions.

Someone in the audience asked McBride for his predictions and observations: brands will sign acts – especially acts that will align their tribe to the brand.

And the year? 2008.

A master plan to break into the UK charts



Bitter Ruin

Ben & Georgia, Bitter Ruin

Bitter Ruin are on a mission to get their music into the UK charts on Sunday 9th October.

“We all want that so what’s new”, I hear you say.

Well of course it’s not new but what’s different is Bitter Ruin are seeing the results of a very good piece of planning that everyone can learn something from. Plus there’s the fact that they’re unsigned and doing all of this themselves with grace, enthusiasm and a good pinch of strategic thinking.

Bitter Ruin formed in 2007 in Brighton when Ben Richards and Georgia Train met at music school. Although they understood each other musically through their classical training, they had dramatically opposing music tastes. Georgia listened to Fiona Apple, Regina Spektor and The Talking Heads whereas Ben preferred rock and bands like Metallica. The result? ‘Contemporary Expressionism’ with passion and musical intelligence at the heart of what they do. Their songs are about the darker side of life and their innovative performances come alive with theatricality, strong sparing vocals, harmonisation and raw instrumentation.

Bitter Ruin put in the hours and are persistent. They have a strong belief in themselves. After doing over 500 gigs they were good enough to be paid and they started getting great support slots in bigger venues. They’ve toured before now but it wasn’t the right time for them. This time it was very different.

Their plan was masterful and it payed off. They recorded their single and made a video (the first thing you see when you visit their site http://www.bitterruin.com/). They decided on a release date for the single and went on a three month tour in the lead up to it. During the tour they concentrated on growing their email list and afterwards, back home, they plugged the single using Facebook and Twitter. They are clear about their mission and give their fans clear a ‘call to action’ to support them. Their single, ‘Trust’, is only available in outlets that notch up sales registered in the charts. They know how many sales they need to get to number 1.

All good stuff. Their big break came when Stephen Fry got involved. Then followed radio and TV interviews on local stations.

And their ultimate goal? To have someone do the leg work for them so they can spend more time doing what they love - creating great music for their fans.

10th October update : Bitter Ruin achieved a #19 placing in the Official UK Independent Singles Chart. A fine achievement.

http://www.bitterruin.com/

http://www.theofficialcharts.com/archive-chart/_/14/2011-10-15/

.